Through poetry, the most difficult and even dreaded subjects like death were appreciated in a more positive manner. The reflection of what arts presented varied greatly but mostly reflected on the innermost feelings of the composers, presenting what they understand about the world. The influence of Romanticism influenced artists to levels that made them rebuke classical principals.
For example Friedrich landscape paintings were greatly inspired and surpassed the obvious representation of nature Spielvogel Christianity was revolutionized after following the criticism that for instance, not only the Catholics but also other existing practices and authorities could not convince the learned class. However, Catholicism on its own where like in Germany, were majority converted to Catholic, which is well illustrated in work of a Frenchman Chateaubriand — benefited a lot from Romanticism age Spielvogel From the above study, Romanticism age represented a period that brought new insights to the importance of change in all aspects of life, defying the existing practices.
Ranging from the late eighteenth century to early nineteenth, it brought the realization to people that the existing social practices failed to address their problems economically and socially.
The classical writers were investigated in a new and different way, and were developed by the genius of Shelley and Keats; the Middle Ages incited the historical novels of Scott and the works of Coleridge, Southey, and many others; modern life were studied and critisized in the compositions of the fiction writers and the satirical writings of Byron.
Through distinguishing traits of their writings, the Romantic writers transformed the whole spirit of poetry in early nineteenth century. Romantic poetry was, however, a kind of verse distinct from anything before it both in form and subject matter. Its language was influenced by new thoughts of democratisation and simplicity in which artificial poetic diction was substituted by a form of language really spoken by common people.
As a whole, Romanticism epitomizes a second revival of literature in England, particularly in lyric and narrative poetry which superseds the Augustan improvement of didactic and satiric forms. This indeed was the epoch that saw the advent of those concepts of literature and of literary history, on which contemporary English scholarship has been established. It is clearly seen that though Romanticism came to an end at the beginning of the XIX century, its impact is still sensed in modern art and literature.
Many notions developed in Romantic epoch, like creative imagination, nature, myth and symbolism, emotions and intuition, autonomy from regulations, spontaneity, plain language, individual experiences, democracy and freedom, as well as an attraction with the past, counting ancient myths and the mysticism of the Medieval age still continues to be the gist of literary writings.
Furthermore, Romanticism represented many of disagreements and ideological disputes that are at the core of the contemporary world; political liberty and oppression, individual and collective duties or liabilities, masculine and feminine roles until lately the established standard of Romanticism was almost entirely male , past, present, and future. It has proven the foundation of the contemporary western worldview, which saw people as free individuals endeavouring fulfillment through democratic actions, rather than as restrained members of a conventional, authoritarian society.
However, the most precious donation of Romanticism is the growth of the genius of two young poets, John Keats and Percy Bysshe Shelley, whose experiments with poetry and poetic diction conduced to the formation of modern-day literature. Shelley is a supreme and creative lyrical writer in the English literature whose lyrical force is now asserted to be one of the major contributions to literature as have been the dramatic flair of Shakespeare.
In some respects, Shelley is the quintessential Romantic poet, his eccentric and brief life with its outlandish unearthliness, his moods of delight and dreaminess, his elevated mythopoetic imagination, his ecstatic idealism, merging to form a widespread image of Romanticism. Shelley was also a deep philosopher whose writings ask and reply many elemental inquiries in life. He was the first writer in English literature to portray the ordinary people as the only force capable of shifting the existing order of life.
Shelley led the melody of verse to a degree of perfection unknown in English poetry before him. His rich imagination, his power of rhythmical expression, his harmonious lyricism and his passion for liberty made his poetry unequalled and brought him in a line with most momentous writers of the early nineteenth century.
Shelley had fervour for improving the world and this enthusiasm shines again and again in his writings, in glows that are now intensely comprehensible and exceptionally pure. His conviction in change, the equality of the genders, the strength of imagination and love are repeatedly communicated in his poems, and they provoked much disputes among his conformist confreres.
From the artistic point of view, the most visible characteristic of his verse is the rapturous yearning for Beauty and its glorious manifestation. In this essay on Romanticism I intend to review some of the key ideas from political and economic philosophy and the general themes that characterised the thinking of the two movements. Finally, I intend to argue that the separation of Enlightenment thought from romantic thought is to some extent a false division in the field of political philosophy.
The trial and execution of Charles I was an open challenge to the orthodoxy of the divine right of Kings to rule and much of the later political philosophy was to address the form and nature of government.
Science and industrialisation were continuing apace, and by the early s Britain would see the first Industrial Revolution. The old feudal order was rapidly giving way to a new capitalist one. A few years after the execution of Charles I, Hobbes was to publish Leviathan , his seminal work in which he laid out his blueprint for civil peace.
Hobbes, , , Essentially, Hobbes believed certain aspects of human life would always bring man into conflict with each other, constantly balancing a desire for power with an aversion to death or injury. This system is precarious though as men will always seek to recover his devolved powers and use them to his own advantage and to prevent this, these powers must be surrendered to a sovereign. Furthermore, just because we perceive a cause and effect based on our past experience there is nothing that compels this necessary connection in the future Hume, , ,
Romanticism in literature, began around and lasted until Different from the classical ways of Neoclassical Age(), it relied on imagination, idealization of nature and freedom of thought and expression.
Romantic literature generated a different ‘creative spirit’ that displays itself in the poetry of Wordsworth, Coleridge, Shelley, Keats, Byron and in the prose of De Quincey, Lamb, .
The Romanticism was a period in which authors left classicism, age of reason, in the old world and started to offered imagination, emotions and a new literature that toward nature, humanity and society to espouse freedom and individualism. Romanticism is not the bastard child of the Enlightenment but its mistress’. Discuss with reference to ideas about ‘savage’ peoples. In this essay on Romanticism I intend to review some of the key ideas from political and economic philosophy and the general themes that characterised the thinking of the two movements. I hope to trace the course of the .
English literature - The Romantic period: As a term to cover the most distinctive writers who flourished in the last years of the 18th century and the first decades of the 19th, “Romantic” is indispensable but also a little misleading: there was no self-styled “Romantic movement” at the time, and the great writers of the period did not call themselves . Realism expressed a message that depicted situations realistically, whereas romanticism illustrated messages by using fiction. Both are informative reflections of American life and culture. Works Cited. Campbell, Donna M. "Realism in American Literature, ". Literary Movements. Dept. of English, Washington State University. 07 Sept